Penguin Random House Offer Autumn 2018

If you organise a prison reading group, have a look at this booklet (PDF).  It contains summaries and covers of 21 books published by Penguin Random House.

All of our groups are invited to choose two books from any Penguin Random House imprint as one of their monthly choices.  Simply email the titles to admin@prg.org.uk by Friday 9th November 2018.

Here’s a list of all the Penguin Random House imprints you can choose from:

Penguin Random House UK imprints 2016

Booklet September 2018

Penguin Random House offer for Spring 2018

If you organise a prison reading group, have a look at this booklet (PDF).  It contains summaries and covers of 22 books published by Penguin Random House.

All of our groups are invited to choose two books from any Penguin Random House imprint as one of their monthly choices.  Simply email the titles to admin@prg.org.uk by Friday 23rd March.

Here’s a list of all the Penguin Random House imprints you can choose from:

Penguin Random House UK imprints 2016

With thanks to Penguin Random House for their continued support.

PLA Chair vacancy

The Prisoner Learning Alliance is a dynamic partnership of organisations, including Prison Reading Groups, committed to the belief that all prisoners can engage  in high-quality and diverse learning opportunities to help them transform their lives.

The PLA is looking for a new Chair for its mission to  provide expertise and strategic vision to inform prison education, priorities and practices.

For further details see http://www.prisonerseducation.org.uk/vacancies-at-pet

Unsilencing the Library wins top University of Oxford award

 

The PRG-supported Unsilencing the Library project has received a University of Oxford Vice-Chancellor’s Award for Public Engagement with Research.

 

The project team, led by Dr Sophie Ratcliffe of Oxford’s Faculty of English Language and Literature, created a collaborative library exhibition at Compton Verney Art Gallery and Museum in Warwickshire.  Members of Prison Reading Groups contributed almost 100 book suggestions. Sixteen of the books and accompanying comments were added to the shelves of a special room in Compton Verney to give visitors insight into why reading matters to people in prison.  PRG choices share space with those of actor Emma Watson, authors Margo Jefferson and Alys Fowler, the bibliotherapy foundation Relit, and pupils from a local high school. They can all be explored at www.unsilencingthelibrary.com.

 

The project was honoured in the Collaboration and Communication Project Award category, and the awards were announced by Vice-Chancellor Professor Louise Richardson at the Oxford University Museum of Natural History on 28th June. PRG was delighted to welcome Sophie to our annual Reading in Prison event earlier this month.  A full report on the day can be read at https://prison-reading-groups.org.uk/2017/06/12/reflections-on-reading-in-prison-2017/.

Reflections on Reading in Prison 2017

Earlier this month over 120 people came together at the University of Roehampton to celebrate reading in prison. The delegates included prison librarians and PRG volunteers, reading organisations, authors and publishers, and most important ex-prisoners with first-hand experience of what books can do behind bars.

The first panel of the day explored putting libraries at the heart of prison life and offered a snapshot view of some of the brilliant initiatives around: literary festivals; author visits; book groups for avid readers or those just getting stuck into reading: creative writing groups; debating societies; song-writing workshops, and clubs of all kinds from chess to scrabble.

Library access was a big issue and there were some good ideas about how to get prison managers and officers onside. Above all, speakers encouraged library staff to be ‘bloody, bold and resolute’ in promoting libraries as places where prisoners can discover the world – and themselves.

As every prisoner knows, family contact is crucial for prisoner wellbeing and that of children. The Reading and Families panel introduced a range of initiatives including FLiP, Family Literacy in Prison, a project which helps prisoners develop skills to make reading with their kids more fun for everyone.

One of the highlights of the day was the discussion of reading groups in action. PRG librarians and volunteers talked about what the groups provide: pleasurable conversation and debate; the chance to expand reading horizons, and the sense of connectedness with the wider world. In the words of one member:

‘When I read a book it gives me the chance to escape into another world. I love the reading group because it’s great to share that world with other people and learn about the journey they’ve been on whilst reading. It’s a relaxed and enjoyable setting where all opinions and views are welcome.’

Or as another member put it even more succinctly:

‘It’s the most grownup discussion I have in prison’.

The day ended with tea and the wonderful PRG cake, followed by a poetry workshop. Lots of people in and out of prison are wary of poetry: ‘I didn’t get it at school and I don’t get it now’. So we took the plunge to explore two poems and bring them to life together. One was from Seamus Heaney’s collection called Clearances, a sequence about his mother. No-one was quite sure about it at first but as we read and talked different views emerged: ‘It’s the memory of a rare moment of closeness with his mother’; ‘but potatoes like solder weeping off the iron – what’s that about?’; ‘is it a happy memory? why ‘cold comforts’?’ In the end we agreed that what the poem stirred more than anything were our own memories of childhood moments which the workshop let us share or keep private. See what you think:

from clearances

Penguin Random House offer for Spring 2017

Do you organise a prison reading group?  If so, we’d like to invite you to have a look at this booklet (PDF), which contains summaries of 24 books published by the Penguin Random House family.

All of our groups are invited to choose one or two books from any Penguin Random House imprint as one of their monthly choices.  Simply email the title to the usual PRG address (find it on the Contact page on this website) by Wednesday 12th April, and the books will be sent to you early this summer.

PRG suggestions booklet

This offer includes any book published by the extended Penguin Random House family, including all books by Arrow, Jonathan Cape, Penguin Classics, Transworld, Vintage, Windmill and a whole realm of others.  The books in the booklet are merely our suggestions.  You can view the full list of imprints here: https://www.penguinrandomhouse.co.uk/publishers/.

To work out if a book is published by the extended Penguin family, you can consult  book reviews or booksellers’ websites (such as Amazon and Waterstones).  These usually tell you the publisher, and you can find out if they’re part of Penguin Random House by following the link above.  However, if you have any doubts, please feel free to email us, and we’ll happily clear it up for you.

Thanks to Penguin Random House for their generosity!

Scrooge in the Scrubs

This report is from Emanuel De Silva, and first appeared in Inside Time, the national newspaper for prisoners and detainees, in February 2017

scrooge-at-the-scrubs-poster

Poster courtesy of Janet Rand. Image courtesy of enotes.com

Another Christmas passed within these walls. If it was your first then don’t threat none. You know now, it goes as quick as it comes. Same shit different day. Let us brighten it up eh. Some of us were given the opportunity of creating an adaptation of Charles Dickens’ story A Christmas Carol. Yes, a play in HMP Scrubs. Don’t be negative. It was good. The much acclaimed actor, Simon Callow – you may know him from Four Weddings and a Funeral – was here in the Scrubs, working with those of us involved in the production together with Philip Dundas, a writer and former BBC presenter. No one likes doing time but there can be opportunities, so make the days count, don’t count the days.

So why choose A Christmas Carol written by a Victorian author? Well, it was Christmas. But there is more to it than that. At our first session, Simon Callow explained why Charles Dickens wrote it and his social commitment to draw attention to the dreadful conditions of the poor in Victorian England.

Charles Dickens, I can hear some of you say “Who the blazes is he?” Well, he was the second eldest child of eight, born in February 1812. He was quite familiar with what we are all going through. As a child, he spent time in the infamous Marshalsea prison, where his father was imprisoned for debt. In those days if a man was sent to prison, his family went with him. Dickens’ younger siblings went into prison with his mother and at the age of 12 he was out on the streets; a pretty grim situation for the child that he was. He got a job in a boot blacking factory so that he could be near the prison where he could go and have meals with his family.

Dickens’ father later received an inheritance and he was released from prison, which enabled Dickens to obtain some education and later he worked as a political journalist and court reporter. However, his early experiences left a scar on him and he was haunted by the shame of his father’s sentence and much of his writing emphasizes the pitiful situation of the poor. His knowledge of the tedious and disorganised legal processes feature in many of his works. I am sure many of us have heard of some of his books which these days have been made into films – Oliver Twist, with the cheeky Artful Dodger and A Tale of Two Cities, one of sacrifice for friendship.

The cautionary tale that we were performing, is a damning statement on the love of money over community and compassion. Dickens was widely regarded as a literary colossus of his time. Although written over a hundred years ago, his stories are still relevant today.

So that brings us back to Simon Callow. What was his interest in Dickens and how come he ended up here with us lot? He has been a self-confessed Dickens fanatic ever since his Grandma gave him a copy of Dickens’ Pickwick Papers to read when he had chicken pox as a boy and, in his own words, “it performed the minor medical miracle of stopping me from scratching.” In his book, Charles Dickens and the Great Theatre of the World Simon tells us that:

“My relationship to Dickens is a little different to anyone else’s. I have over the years been Dickens in various manifestations, from reconstructions of the Public Readings on television, to being one of Dr Who’s helpers; I have also been involved in telling his life story, through the wonderful one-man play Peter Ackroyd wrote for me, The Mystery of Charles Dickens. Presently, I am involved in performing my solo version of A Christmas Carol. In order to do all of this, I have needed to find out what it was like to be him, and what it was like to be around him. I have immersed myself, on an almost daily basis, over a period of more than 15 years, in the minutiae of his life, above all seeking out personal reminiscences and his own utterances…my primary concern has always been to convey the flavour of one of the most remarkable men ever to walk the earth: vivacious, charismatic, compassionate, dark, dazzling, generous, destructive, profound, sentimental – human through and through, an inspiration and a bafflement…Playing Dickens, and performing his work, has been like standing in front of a blazing fire…”

The organizations Give a Book and Prison Reading Groups who run the monthly reading group in the Scrubs asked Simon if he would consider performing A Christmas Carol here for us. He came in, talked to the staff about what was possible and talked about how, as a result of his childhood experience, the first thing Dickens did on any visit to a town would be to visit its prison. Simon felt that it would be more interesting and more meaningful to put on a show with the men as he felt it would be a show that not only told Dickens’ story but would become something of theirs.

A big thank you, of course, to Simon and Philip who found time in their busy schedules to work with us – but a massive shout is also due to Officers Alan Gourley and Sean Coleman who struggled to overcome all the problems and craziness that happens here with regime changes and lack of staff to ensure that this production really did happen. Keep it real. Thanks a million, Alan, for having confidence in us. Thanks also to Governor Bradford for authorizing what must have been a big disruption on to the regime. We hope we did you all proud.